Showing posts with label watercolor. Show all posts
Showing posts with label watercolor. Show all posts

I have a secret way to watch painting classes.

I am a big fan of taking classes - there is an absurd number of them on my radar, I start many, finish some but I recently realized that there is a secret that helps me get more out of the learning. 

And that secret is: going back and watching the video without commentary. By cutting audio out of what I am focusing on I can notice the movements of the brush on the page, patterns of brushstrokes, and see as the painting comes together in phases. It gives me a different perspective.  

I got this way of watching videos from working with kids. No matter how much you prepare your instructions, how you plan the class, kids can listen to you talk only so much and they move at their own speed. But DOING will get them GOING. When you work with them side by side - the dynamic changes. That is when you can sync with them when they pick up your little tricks and use them in their way, on their projects or modify in some new and interesting ways and then you learn from them.  

So this week I was super excited about taking the latest of many classes from Shari Blaukopf.

It is called "Luminous Colour for Sketchers" and it is exactly that - an amazing opportunity to learn about making your watercolor sketches sing with light. And this class builds on her wonderful book "The Urban Sketching Handbook Working with Color" that came out almost two years ago. 

Shari is showing in detail how much water and how much paint goes into each mixture and how she makes colors luminous by mixing them on the page. There are many close-ups where you can see details very clearly (images below are screenshots from one of the class videos).

With Shari's class on my second pass, I slowed down the video, turned audio off, and tried to predict which area the brush will go to next, think about what I would do, and compare it to what she does.

I watched this class as if I was a kid - mimicking what is going on on the screen/page, mocking with my own interpretations, running ahead, then slowing down. I imagined that it is me making those color decisions and moving brush. 

And it was a lot of fun!

Recent trip report | part 2

I tried to paint the city every day. Mostly these are places I remember, some looked completely new to me.  I tried to look at them to see familiar sights through the layers of change.

Lots of beautiful changes in foliage were happening from one day to another. They were making me feel as if I should stop painting different places but just come back to the same corner over and over.



A story of one hyacinth

Last spring I got a bulb of hyacinth at the store and drew it in my sketchbook. I followed it's growth and all kinds of changes - from new smells to a nasty fall. I used all kinds of materials. And then I left for a trip and did not have a chance to draw the last part of this flower's journey. 
But I hope to see it's offspring next year.









I love persimmons :)

This is not a secret - I love persimmons. I love to eat them when they are crunchy (not astringent!) and when they are slimy, I love to touch their shiny geometrical shapes and look at their colors, I love how skin becomes transparent skin (very ripe persimmon) and the way calyx is made of folds and waves inviting me to experiment with all sorts of mediums to draw them.
This was a great year for my persimmon-related joy as I got to share it with many friends - painting and drawing them from October through December - and here is a bunch of persimmon-related pages from my sketchbook!
















Sketchbook #115: First Pages are often about my current palettes :)

Top - main "sketchbook palette", bottom one is a compact palette from Expeditionary Art - filled with experimental colors. Though many stay there for very long time as I find they make it to some favorite mixes. I think I am getting closer to a good set of green mixes - which reminds me - I should work on it this fall... and I need to get more pans for my experimental palette...